Our Custom and Professional grade flutes have earned a reputation for exceptional quality, design, performance and consistency, thanks to the craftsmanship of our brass and woodwind workshops.
Our Step-Up models inherit many of the same hallmarks - but, to aid developing flautists, are designed and shaped to encourage best-technique, as well as offering superb playability. For instance, we've designed the lip plate to guide beginners toward proper breath technique and we've designed keys with extensively tested dimensions and angles for optimum balance and easy playability. These and other details are some of the reasons why our Step-Up flutes have become bestsellers worldwide.
Which flute is right for you?
Do you need a Split-E Mechanism?
Some flutes feature a 'Split-E Mechanism'. This can greatly aid the stability and intonation of a high E note - but can make the key very slightly heavier to play and - in some cases - it can make other notes more difficult to tune.
If in doubt (or unless your teacher has said otherwise), we'd suggest choosing a Split-E model.
Key System: In-Line or Offset G?
Traditionally, a flute's toneholes were in straight row - and many advanced flautists prefer this arrangement.
However, more and more flautists and flute teachers are using (and recommend) flutes where the G key stands above the other keys - for many, this feels more natural (and can aid finger positioning).
Keys: Ring Keys or Covered?
Covered (or 'Plateau') keys are easier to play than traditional ring keys, as the pad cup seals the underlying tonehole as soon as the key is closed - exact finger placement (which would be necessary with a ring key) isn't as crucial. This makes covered keys ideal for beginners (especially those with smaller fingers).
Ring keys (or 'French' keys) allow you to precisely and subtly control pitch and intonation as you play - many flautists prefer this level of control.
Footjoint - B or C?
Our Step-Up, Standard, Professional and Custom flute models usually have the option of a B Footjoint which replaces the C Footjoint. Its greater length and additional key allow you to play down to a low B note - a semi-tone deeper than the C Footjoint allows. The B Footjoint also includes a 'gizmo key' - this helps the player to counteract the otherwise-detrimental affect of the longer cylinder on the high C note.
The length of the footjoint does affect the overall tone of the flute. The longer B Footjoint tends to create a darker, stronger sound with good projection. Conversely, the C Footjoint creates a warmer, brighter and seemingly more agile tone and is more typically used in the UK and Europe.
If in doubt, or unless your tutor has said otherwise, we'd recommend a C Footjoint model.